I started sewing the binding onto the Baby Blues quilt, and I got to about 10 inches from the end and looked at the back of the quilt and this is what I saw:

I gasped!  That stitching line closest to the edge of the fabric was the stitching line for the binding and at it’s narrowest spot is less than 1/8 of inch…certainly not enough to hold the seam for the binding.  How could I have made such an error?  The backing wasn’t big enough!!!!!  All I can figure was that when I sandwiched it together I forgot that the batting was wider than the backing and I centered the top on the batting instead of the backing.  Luckily it was just this one spot that was the problem.  So I ripped out the binding and was thankful that the quilting was straightline and that I didn’t quilt up to the edge of the quilt top, then I added some extra backing and then reassembled (it took a few tries and I ripped out seams 3 or 4 times).  Had I done my usual meander quilting this error could’ve been disastrous!!!!

The backing is flannel.  It’s the first time I’ve used flannel, and while it feels nice and cozy, it was really difficult to work with.  It’s pretty bulky, and even with a walking foot I had a hard time with it.  I especially had a hard time getting the sandwich underneath the walking foot.  Not sure how much flannel I’m going to be using in the future.  Time will tell.

The French Roses pattern  uses the soft edge applique technique, which I thought is perfect for a baby girl’s quilt.  I’m certainly in love with soft edge applique!

I’m so glad I made this modification.  I think the French Roses flowers are softer, more feminine, and just downright adorable.

The quilt measured 40 x 50 prior to washing and measures 37 1/2 x 47 1/2 after washing…perfect size for a baby.

Front

Back

Polka dot binding matches the inner border

Label: I used a piece of muslin, cut the edges with pinking shears, wrote on it, then soft edge appliqued it to the quilt

Fabric: Butterfly Fling by Me & My Sisters Design for Moda, the white is a white on white design with butterflies, the polka dots and some of the fabrics in the flowers are from my stash.

Side note: I started working on an improv project tonight.  I got everything out and set up (machine, ironing board, started cutting fabric etc.), then went to sew, and my sewing machine won’t sew! Grrrrrrr!  So I’m bringing it in tomorrow to get serviced, because one can’t have a non working sewing machine when one NEEDS to sew!

I’ve had the quilting done for the Urban Nature quilt for some time now.  The next step was binding.  Admittedly I was a nervous to do the binding mostly because at 95 x 95 working on the outer 1/4 inch of the quilt all the way around really made me nervous.  Today I decided to take the plunge.  And it really wasn’t all that bad.  Dare I say no more challenging than the 60 x 70 quilts I’ve done.

I’ve noticed lately that if the presser foot pressure is the same as it is when you sew or piece the top when you are trying to sew the binding it creates too much pressure causing the binding fabric to shift in ways you don’t necessary want.  (I realize I didn’t explain that well, but I’m not sure how else to explain it).  So I decided to experiment with the presser foot pressure, and I found that if I decrease the pressure just a bit the binding sews on beautifully.  For example with regular sewing on my machine the presser foot pressure is set to 6.  When I free motion quilt I set the presser to 2, and with the binding I set the dial between 4 and 5.  Anyway, I’ve never heard of decreasing the presser foot pressure for binding, but for me it made a big difference.

But it was way more work than I anticipated.  Stippling/meandering is so second nature to me that I really don’t have to think while I’m doing it…my hands just know what to do and it flows smoothly.  This was the first time I tried the cherries, and admittedly I probably should’ve tried it on a small quilt first, but I guess because I’m so comfortable with stippling/meandering I didn’t think it would be a big deal.

It was so much more time consuming than I thought it would be.  I had to really think about what I was doing and where I was going.  I’m sure it didn’t help that I was attempting this new technique on a quilt 67 x 74.  That’s pretty large and challenging to maneuver, and with quilting the cherries, I really needed to be able to move the quilt sandwich around so that the cherries wouldn’t all face the same direction.  One thing that I’m so glad I did was quilt from the back.  The backing (above) was just one fabric and far less busy than the top.  I’m glad I thought ahead to do that because with this technique being able to really see where you’ve been and where you’re going is critical (at least for trying a new technique).  So, it was a challenge, nonetheless, and I’m finally done—I’m so excited to be done with the quilting.

Now on to the binding and hand stitching it to the back.

In this picture I’m piecing the last batting strip (36 x 108) to the rest of the quilt batting.  The quilt is so heavy that I use the chair beside me to support the weight of the quilt so it doesn’t pull on the needle as I quilt.  This chair has been my life saver too!

Then it was on to getting the quilt top ready to quilt.  I decided to do straight line quilting with some outline quilting and some other stuff.  So to make it more manageable I figured on piecing the batting.  I cut a piece of batting about 35 x 108, and pinned the center of the quilt.  I then folded both sides very compactly and pinned them down so they wouldn’t turn into a ridiculous pile of fabric.

I started my straight line quilting and while I think straight line quilting can look really cool, I absolutely loathe doing it.  So I ripped the little bit of straight line quilting out and decided I would do an all over meander.  So I quilted the center section.  Tonight I pieced the batting on the right side and quilted one more row (totally recommend the joining foot for your machine…makes piecing the batting pretty easy and there’s no bulky seam…think zig zag stitch to to join the edges of the batting together, and the result is totally flat).  For some reason I broke 4 needles…I rarely break needles so this was strange, and I can’t figure out why the needles were breaking…I wasn’t running over pins, so by the time the 4th one broke, I decided that enough was enough for tonight.

It’s taking A LONG time but it’s coming along and it looks really good.  I honestly never thought I would be able to quilt something this big!

Far left row: pin basted and ready to quilt.  Middle 2 rows: quilted rows.  Far right row: neatly folded top and back pinned down to make it a more manageable size.  I cannot even imagine how heavy this baby would be if I had sandwiched the whole thing and pin basted the whole thing!

Anyway, I finished quilting the baby quilt, (still without a name), and last night I prepared the binding and sewed it to the front of the quilt.  Now I’m on to hand stitching the binding to the back of the quilt—a good task to do in front of the tv!

Thanks to Jen and Emily for their suggestions on what to name this quilt.  I’ve narrowed it down to 2 options: (1) Caterpillar’s Meadow (2) Pink-A-Boo.  Which one you like best?

For the quilting I used Sulky Blendables Thread…I so love this thread!  I used #4026 Earth Pastels.  I’ve used the blendable thread before: Butterfly Fling Squares (#4102 Spring Garden); Mod Quilt Sampler (#4030 Vintage Rose); Red, White, & Bold (#4105 America).   If you’ve never used the blendales thread I totally recommend it as it blends really well when you have a top with lots of different colors and if you use a light solid back, the back looks really cool.  When I’m done with the quilt I’ll take some closeups of the back and post the pictures.

Autumn leaves are so easy!!  I had no idea!

The class was designed for a wall hanging, and quite frankly my walls are filled with photos of my kiddos, and any empty space is designated for more family photos, so I opted to alter the pattern and make a runner/table topper.  By the way, what is the difference between a runner and a table topper?

I’m usually not a fan of batiks, but I have had my eye on the pink/brown prints and the blue/brown prints, so I decided to use those, and I absolutely love how it turned out.

The runner/table topper looks great on my table too, and the dimensions (16 x 39) are perfect for my table–I didn’t want something too big or long as I didn’t want it to hang over the sides.

Since I tried a new design, I also wanted to try some new quilting.  I did stipple the 2 inch border, but the rest of the runner/table topper quilting is so cool…not sure what you call it, but I’m certainly going to do this technique again when I do a quilt of just squares (from charm packs).  The intention was for all the lines to be curved, admittedly there are some straighter lines than I would’ve liked, but heck, for the first time, I think it looks great!

Here’s a half quilted block:

Once I figured out the problem I quilted away, but since it was taking so long I had to put it away and come back to it after the kiddos were in bed.  It was taking me so much longer than I thought it would.  It took me longer to quilt this 57″ square than Ethan’s 67″ x 71″ quilt.  I didn’t think that I was quilting any slower either…in fact I feel like I’ve gotten faster as I’ve gotten more comfortable with quilting.  But then I compared the quilting of the 2 quilts and discovered that my stippling has gotten tighter and tighter over time, and therefore, there is far more quilting on the Merry & Bright quilt than on Ethan’s quilt.

Ethan’s quilt: which is more of a meander than stipple

Ethan’s quilt

Merry & Bright: definitely stippled

Merry & Bright back